And the style of this furniture shows characteristics that originated in the pictorial arts of the 1960s: Claes Oldenburg’s softening, the na\u00efve stylization found in comics and commercial art, or the giant, drunken dimensions taken by 1960s objects.<\/p>\n
In addition to an armchair in the shape of a Greek temple with columns and a Babylonian temple as a play system for children, Studio 65’s contribution to “radical design” included a sofa in the shape of a woman’s mouth. The subtitle given to Sofa Bocca by Studio 65: “lips, pseudonym Marylin” is a reference to the inspiration and symbolism of this design. Salvador Dal\u00ed, to whom this kind of design idea is attributed, is quoted by Studio 65 in this context as follows: Objects with a symbolic function leave no room for formal considerations. They are characterized only by each individual’s idea of love and are above any notion of form.<\/p>\n
Scale : 1:6<\/strong><\/p>\n Dimensions (cm):<\/strong><\/p>\n Height: 14.5 x Width: 35.5 cm x Depth: 13.5 cm<\/p>\n","protected":false},"excerpt":{"rendered":" And the style of this furniture shows characteristics that originated in the pictorial arts of the 1960s: Claes Oldenburg’s softening, the na\u00efve stylization found in comics and commercial art, or the giant, drunken dimensions taken by 1960s objects.<\/p>\n In addition to an armchair in the shape of a Greek temple with columns and a Babylonian temple as a play system for children, Studio 65’s contribution to “radical design” included a sofa in the shape of a woman’s mouth. The subtitle given to Sofa Bocca by Studio 65: “lips, pseudonym Marylin” is a reference to the inspiration and symbolism of this design. Salvador Dal\u00ed, to whom this kind of design idea is attributed, is quoted by Studio 65 in this context as follows: Objects with a symbolic function leave no room for formal considerations. They are characterized only by each individual’s idea of love and are above any notion of form.<\/p>\n","protected":false},"featured_media":31494,"template":"","meta":{"_acf_changed":false},"product_cat":[477,3296,2151],"product_tag":[3287,3286],"class_list":{"0":"post-31513","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-accecories","7":"product_cat-miniature","8":"product_cat-online-stock","9":"product_tag-christmas-gifts","10":"product_tag-gift-items","11":"product_shipping_class-accessory","12":"pa_brand-vitra-design-museum-en","13":"pa_design-year-1970-en","14":"pa_designer-studio-65-en","15":"pa_space-common-area","16":"pa_space-living-area","17":"pa_space-office","19":"first","20":"outofstock","21":"taxable","22":"shipping-taxable","23":"purchasable","24":"product-type-simple"},"acf":[],"yoast_head":"\nThe use of cold-expanding polyurethane makes traditional furniture construction methods redundant. Among the furniture designs of the “Studio 65” group, a series of sculptural furniture objects stand out for their radical use of the design freedom allowed by this new material.<\/h4>\n