{"id":58572,"date":"2025-01-23T10:00:44","date_gmt":"2025-01-23T10:00:44","guid":{"rendered":"https:\/\/mozaikdesign.com\/urun\/1959-sk207-table\/"},"modified":"2025-01-23T10:00:44","modified_gmt":"2025-01-23T10:00:44","slug":"1959-sk207-table","status":"publish","type":"product","link":"https:\/\/mozaikdesign.com\/en\/product\/1959-sk207-table\/","title":{"rendered":"1959 SK207 Table"},"content":{"rendered":"<h4>The transgression of boundaries between disciplines, materials and production techniques is a hallmark of Angelo Mangiarotti&#8217;s work. It would be difficult to find a better example of this approach than the master&#8217;s first foray into metalworking, the SK207 table from 1959. <\/h4>\n<p>While Mangiarotti works with witty intelligence on prefabricated concrete elements that can be produced on an industrial scale for architecture, he chooses the ancient technique of &#8220;lost wax&#8221; casting to create his first bronze table. This particular technique, mainly used in sculpture, makes each sample unique as the mold must be destroyed to remove the cast product. The process, geometry, weight and durability allow the conical base of SK207 to support large marble tops for a sophisticated combination of materials and finishes, despite the reduced support surface.  <\/p>\n","protected":false},"excerpt":{"rendered":"<h4>The transgression of boundaries between disciplines, materials and production techniques is a hallmark of Angelo Mangiarotti&#8217;s work. It would be difficult to find a better example of this approach than the SK207 table from 1959, the master&#8217;s first foray into metalworking. <\/h4>\n<p>While Mangiarotti works with witty intelligence on prefabricated concrete elements that can be produced on an industrial scale for architecture, he chooses the ancient technique of &#8220;lost wax&#8221; casting to create his first bronze table. This particular technique, mainly used in sculpture, makes each sample unique as the mold must be destroyed to remove the cast product. The process, geometry, weight and durability allow the conical base of SK207 to support large marble tops for a sophisticated combination of materials and finishes, despite the reduced support surface.  <\/p>\n","protected":false},"featured_media":58500,"template":"","meta":{"_acf_changed":false},"product_cat":[1161,1159],"product_tag":[],"class_list":{"0":"post-58572","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-dining-table","7":"product_cat-table","8":"pa_brand-agapecasa-en","9":"pa_design-year-1959-en","10":"pa_designer-angelo-mangiarotti-en","11":"pa_space-common-area","12":"pa_space-dining-room","13":"pa_space-hotel","14":"pa_space-office","16":"first","17":"onbackorder","18":"taxable","19":"shipping-taxable","20":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1959 SK207 Table | Mozaik<\/title>\n<meta name=\"description\" content=\"The transgression of boundaries between disciplines, materials and production techniques is a hallmark of Angelo Mangiarotti&#039;s work. It would be difficult to find a better example of this approach than the SK207 table from 1959, the master&#039;s first foray into metalworking. While Mangiarotti works with witty intelligence on prefabricated concrete elements that can be produced on an industrial scale for architecture, he chooses the ancient technique of &quot;lost wax&quot; casting to create his first bronze table. This particular technique, mainly used in sculpture, makes each sample unique as the mold must be destroyed to remove the cast product. The process, geometry, weight and durability allow the conical base of SK207 to support large marble tops for a sophisticated combination of materials and finishes, despite the reduced support surface.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mozaikdesign.com\/en\/product\/1959-sk207-table\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1959 SK207 Table | Mozaik\" \/>\n<meta property=\"og:description\" content=\"The transgression of boundaries between disciplines, materials and production techniques is a hallmark of Angelo Mangiarotti&#039;s work. It would be difficult to find a better example of this approach than the SK207 table from 1959, the master&#039;s first foray into metalworking. While Mangiarotti works with witty intelligence on prefabricated concrete elements that can be produced on an industrial scale for architecture, he chooses the ancient technique of &quot;lost wax&quot; casting to create his first bronze table. This particular technique, mainly used in sculpture, makes each sample unique as the mold must be destroyed to remove the cast product. The process, geometry, weight and durability allow the conical base of SK207 to support large marble tops for a sophisticated combination of materials and finishes, despite the reduced support surface.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mozaikdesign.com\/en\/product\/1959-sk207-table\/\" \/>\n<meta property=\"og:site_name\" content=\"Mozaik\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/mozaikdesigncom\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mozaikdesign.com\/wp-content\/uploads\/2025\/01\/agapecasa-m-tavolo-01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1772\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@mozaik_design\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/1959-sk207-table\\\/\",\"url\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/1959-sk207-table\\\/\",\"name\":\"1959 SK207 Table | Mozaik\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/1959-sk207-table\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/1959-sk207-table\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mozaikdesign.com\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/agapecasa-m-tavolo-01.jpg\",\"datePublished\":\"2025-01-23T10:00:44+00:00\",\"description\":\"The transgression of boundaries between disciplines, materials and production techniques is a hallmark of Angelo Mangiarotti's work. 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