{"id":60061,"date":"2025-02-21T13:47:48","date_gmt":"2025-02-21T13:47:48","guid":{"rendered":"https:\/\/mozaikdesign.com\/?post_type=product&#038;p=60061"},"modified":"2025-02-22T13:48:17","modified_gmt":"2025-02-22T13:48:17","slug":"bilbao-outdoor-planter","status":"publish","type":"product","link":"https:\/\/mozaikdesign.com\/en\/product\/bilbao-outdoor-planter\/","title":{"rendered":"Bilbao Outdoor Planter"},"content":{"rendered":"<h4>Transcending the spirit of time<\/h4>\n<h4>From an early age, the life of the young Dutchman Hans van der Laan was driven by one fundamental question: &#8216;How can I know things as they are?&#8217;. After leaving his architectural studies at TU Delft, he joined a Benedictine monastery at the age of 23. Naturally, this gave Van der Laan plenty of time for contemplation, but it also gave him time to practically test the architectural theory he had developed in his life&#8217;s work &#8211; four monasteries and a house.<\/h4>\n<p>His system of proportionality, the basis of order and symmetry that he envisioned an architect could design regardless of the spirit of the times, still resonates with architects around the world.<\/p>\n<p>The Abbey of St. Benedictusberg near the Dutch town of Vaals, where Van der Laan resided until his death in 1991, is probably the architect-monk&#8217;s most important work. Often described as part of sensory architecture, Van der Laan believed in creating an atmosphere where experience was central. As a &#8216;modern primitive&#8217;, as author Richard Padovan called him in his biography of the late architect, Van der Laan often preferred to work with bricks, timber and other readily available Dutch building materials.<\/p>\n<p>Van der Laan&#8217;s search for an aesthetic language transcends an era or style, and the idea of using proportion to create timeless works is one that resonates with us and is something we strive for in our own pieces. Choosing rough materials devoid of decoration and relying on proportion and light to create wonders is something we hope Van der Laan would approve of.<\/p>\n","protected":false},"excerpt":{"rendered":"<h4>Transcending the spirit of time<\/h4>\n<h4>From an early age, the life of the young Dutchman Hans van der Laan was driven by one fundamental question: &#8216;How can I know things as they are?&#8217;. After leaving his architectural studies at TU Delft, he joined a Benedictine monastery at the age of 23. Naturally, this gave Van der Laan plenty of time for contemplation, but it also gave him time to practically test the architectural theory he had developed in his life&#8217;s work &#8211; four monasteries and a house.<\/h4>\n<p>His system of proportionality, the basis of order and symmetry that he envisioned an architect could design regardless of the spirit of the times, still resonates with architects around the world.<\/p>\n<p>The Abbey of St. Benedictusberg near the Dutch town of Vaals, where Van der Laan resided until his death in 1991, is probably the architect-monk&#8217;s most important work. Often described as part of sensory architecture, Van der Laan believed in creating an atmosphere where experience was central. As a &#8216;modern primitive&#8217;, as author Richard Padovan called him in his biography of the late architect, Van der Laan often preferred to work with bricks, timber and other readily available Dutch building materials.<\/p>\n<p>Van der Laan&#8217;s search for an aesthetic language transcends an era or style, and the idea of using proportion to create timeless works is one that resonates with us and is something we strive for in our own pieces. Choosing rough materials devoid of decoration and relying on proportion and light to create wonders is something we hope Van der Laan would approve of.<\/p>\n","protected":false},"featured_media":60063,"template":"","meta":{"_acf_changed":false},"product_cat":[2927],"product_tag":[],"class_list":{"0":"post-60061","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-outdoor-planter-en","7":"pa_brand-domani-en","8":"pa_designer-van-der-laan-en","9":"pa_space-garden","10":"pa_space-hotel","11":"pa_space-outdoor","13":"first","14":"onbackorder","15":"taxable","16":"shipping-taxable","17":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bilbao Outdoor Planter | Mozaik<\/title>\n<meta name=\"description\" content=\"Transcending the spirit of time From an early age, the life of the young Dutchman Hans van der Laan was driven by one fundamental question: &#039;How can I know things as they are?&#039;. After leaving his architectural studies at TU Delft, he joined a Benedictine monastery at the age of 23. Naturally, this gave Van der Laan plenty of time for contemplation, but it also gave him time to practically test the architectural theory he had developed in his life&#039;s work - four monasteries and a house. His system of proportionality, the basis of order and symmetry that he envisioned an architect could design regardless of the spirit of the times, still resonates with architects around the world.  The Abbey of St. Benedictusberg near the Dutch town of Vaals, where Van der Laan resided until his death in 1991, is probably the architect-monk&#039;s most important work. Often described as part of sensory architecture, Van der Laan believed in creating an atmosphere where experience was central. As a &#039;modern primitive&#039;, as author Richard Padovan called him in his biography of the late architect, Van der Laan often preferred to work with bricks, timber and other readily available Dutch building materials.  Van der Laan&#039;s search for an aesthetic language transcends an era or style, and the idea of using proportion to create timeless works is one that resonates with us and is something we strive for in our own pieces. Choosing rough materials devoid of decoration and relying on proportion and light to create wonders is something we hope Van der Laan would approve of.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mozaikdesign.com\/en\/product\/bilbao-outdoor-planter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bilbao Outdoor Planter | Mozaik\" \/>\n<meta property=\"og:description\" content=\"Transcending the spirit of time From an early age, the life of the young Dutchman Hans van der Laan was driven by one fundamental question: &#039;How can I know things as they are?&#039;. After leaving his architectural studies at TU Delft, he joined a Benedictine monastery at the age of 23. Naturally, this gave Van der Laan plenty of time for contemplation, but it also gave him time to practically test the architectural theory he had developed in his life&#039;s work - four monasteries and a house. His system of proportionality, the basis of order and symmetry that he envisioned an architect could design regardless of the spirit of the times, still resonates with architects around the world.  The Abbey of St. Benedictusberg near the Dutch town of Vaals, where Van der Laan resided until his death in 1991, is probably the architect-monk&#039;s most important work. Often described as part of sensory architecture, Van der Laan believed in creating an atmosphere where experience was central. As a &#039;modern primitive&#039;, as author Richard Padovan called him in his biography of the late architect, Van der Laan often preferred to work with bricks, timber and other readily available Dutch building materials.  Van der Laan&#039;s search for an aesthetic language transcends an era or style, and the idea of using proportion to create timeless works is one that resonates with us and is something we strive for in our own pieces. Choosing rough materials devoid of decoration and relying on proportion and light to create wonders is something we hope Van der Laan would approve of.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mozaikdesign.com\/en\/product\/bilbao-outdoor-planter\/\" \/>\n<meta property=\"og:site_name\" content=\"Mozaik\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/mozaikdesigncom\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-22T13:48:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mozaikdesign.com\/wp-content\/uploads\/2025\/02\/Domani_NLVA_BILBAO_TPB75_NATURAL_WHITE.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@mozaik_design\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/bilbao-outdoor-planter\\\/\",\"url\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/bilbao-outdoor-planter\\\/\",\"name\":\"Bilbao Outdoor Planter | Mozaik\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/bilbao-outdoor-planter\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/mozaikdesign.com\\\/en\\\/product\\\/bilbao-outdoor-planter\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mozaikdesign.com\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/Domani_NLVA_BILBAO_TPB75_NATURAL_WHITE.jpg\",\"datePublished\":\"2025-02-21T13:47:48+00:00\",\"dateModified\":\"2025-02-22T13:48:17+00:00\",\"description\":\"Transcending the spirit of time From an early age, the life of the young Dutchman Hans van der Laan was driven by one fundamental question: 'How can I know things as they are?'. 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